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A brochure from the late '80s, early '90s
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Picture by Clay Mathes |
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Located in the center of the
Dallas/Fort Worth Metroplex, Arlington is home to one of the largest
environmental sculptures in the Western Hemisphere -- Caelum Moor.
The environmental sculpture was named Caelum after a remote constellation in the Southern skies which means the sculptor's tool, and Moor for the windswept moors of Scotland. The name Caelum Moor represents the entire work of art, but each of the five stone groupings was also given a Celtic name -- Tan Tara, De'Danann, Morna Linn, Tolmen Barrow and Sarsen Caer. Caelum Moor was commissioned by Jane Mathes Kelton, chief executive officer and chairman of the board of the Kelton Mathes Development Corporation, and executed by California sculptor Norm Hines. This monumental work of art took more than two years to complete and is currently valued [no date known for this brochure] at more than $3 million. Caelum Moor is the signature and focal point of The Highlands of Arlington, a 340-acre multi-use business community. |
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1 -- Tolmen Barrow is a combination of ancient names for a hole stone and a sacred hill. Tolmen, the hole stone, was believed to have healing powers, and sick children were passed through it. 2 -- De'Danann, three freestanding stones forming a triangle, is the name from a divine Celtic family of children of the great goddess. 3 -- Sarsen Caer combines sarsen, those stones believed by the druids to have magical powers, and caer, which means castle. This megalith serves as a backdrop for Caelum Moor's natural amphitheater. 4 -- Tan Tara, tallest of the structures, stands 34 feet. Tan means sacred fire, and Tara was the home of the Celtic divines. Tan Tara serves as a natural echo chamber which can be heard only by the person standing between its majestic pillars. 5 -- Morna Linn embraces a fountain at the top that cascades between two pillars into a small lake. Morna is the feminine form for the word beloved, and Linn means water rushing over stones. |
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The Highlands of Arlington |
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A graduate and tenured professor of art at Pomona College in Claremont, Calif., Norm Hines was granted the commission for Caelum Moor in 1984. For inspiration, Hines spent several weeks studying the various megalithic stone groupings in Great Britain before moving to the granite quarry in Marble Falls, Texas. There he spent the next year chiseling, hammering, and blasting the 22 pieces of granite that form Caelum Moor. After the stones were transported to Arlington via 16 flatbed trucks, Hines spent another year sculpting the 5.5 acre grounds of his environmental art. Hines has experienced a distinguished career as a sculptor and his work is currently displayed by a number of prominent collectors. |
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The Caelum Moor Foundation |
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Follow the links to the various sections of the park.
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Pictures of the whole park including areas without a major stone sculpture. |
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Two upright stones capped by a third. This sculpture contains an echo chamber. |
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Like Tan Tara, this sculpture is two major uprights capped by a third stone. This sculpture was also used to create a "backstage" area (by the pond) and an amphitheatre was created in front of the sculpture. |
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Three upright stones, the middle stone is the barrow stone, with a hole drilled all the way through it. |
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A sarsen construction like Tan Tara and Sarsen Caer, Morna Linn is located in the pond and has a pump to create a waterfall. |
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Again, three major stones, all upright as with Tolmen Barrow. This sculpture includes a staring pattern on each stone. |
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This site copyright Robin C. MacRorie 2001-2007
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